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History of Opera, The

Author : Richard Fawkes

Performed By : Robert Powell

Publisher : Select Music & Distribution

Runtime : 5 hours 20 minutes

Categories : Social & Economic
Music Related
Music Related

Our Price : $18.75

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Opera, said Moliere, is the most expensive noise known to man. From its beginnings in the 16th century, through to today when there are as many musical styles as there are composers, opera has fascinated, infuriated, delighted, been censored, been banned, excited riots, even won a nation its freedom. Here is the colourful story of sometimes temperamental composers and even more temperamental singers working in an art form which has produced some of man's noblest artistic creations.

This absorbing history is illustrated by over 100 musical examples by Naxos artistes as well as some of the greatest singers of the 20th century including Enrico Caruso and Fyodor Chaliapin.

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Canterbury Tales - Volume III, The

Author : Geoffrey Chaucer

Performed By : Full Cast Performance

Publisher : Select Music & Distribution

Runtime : 3 hours 35 minutes

Categories : Poetry
Classic Literature
Dramatizations
Classics
Short Stories

Our Price : $15.49

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The Friar's Tale
The Summoner's Tale
The Lawyer's Tale
The Seaman's Tale
The Prioress's Tale
The Manciple's Tale
The Physician's Tale

Seven more Tales presented here in unabridged modern verse - an ideal way to appreciate the genuinely funny and droll talent of England's early master storyteller. The group continues its pilgrimage to Canterbury, talking with each other, their interaction mediated (sometimes) by the affable Host - Chaucer himself. Eight leading British actors bring the medieval world into the 21st century, and at least in terms of character, not much seems to have changed!

The Canterbury Tales, written near the end of Chaucer's life and hence towards the close of the fourteenth century, Is perhaps the greatest English literary work of the Middle Ages: yet it speaks to us today with almost undimmed clarity and relevance.

Chaucer imagines a group of twenty-nine pilgrims who meet in the Tabard Inn in Southwark, intent on making the traditional journey to the martyr's shrine of St Thomas a Becket in Canterbury. Harry Bailly landlord of the Tabard, proposes that the company should entertain themselves on the road with a storytelling competition. The teller of the best tale will be rewarded with a supper at the others' expense when the travellers return to London. Chaucer never completed this elaborate scheme - each pilgrim was supposed to tell four tales, but in fact we only have twenty-four altogether - yet, with the pieces of linking narrative and the prologues to each tale, the work as a whole constitutes a marvellously varied evocation of the medieval world which also goes beyond its period to penetrate (humorously, gravely tolerantly) human nature itself.

Chaucer, as a member of this company of pilgrims, presents himself with mock innocence as the admiring observer of his fellows, depicted in the General Prologue. Many of these are clearly rogues - the coarse, cheating Miller, the repulsive yet compelling Pardoner - yet in each of them Chaucer finds something human, often a sheer vitality or love of life which is irresistible: the Monk may prefer hunting to prayer, but he is after all a manly man, to be an abbot able. Perhaps only the unassuming, devoted Parson and his humbly labouring brother the Ploughman rise entirely above Chaucer's teasing irony; certainly the Parson's fellow clergy and religious officers belong to a Church riddled with gross corruption. Everyone, it seems, is on the make, in a world still recovering from the ravages of the Black Death.

Translation by Frank Ernest Hill, [1935-).