Books in mp3

 

Hamlet

Author : William Shakespeare

Performed By : Full Cast Performance

Publisher : BBC Audiobooks Ltd

Runtime : 3 hours 30 minutes

Categories : Dramatizations
Classic Literature
Audio Theater
Shakespeare
Drama

Our Price : $22.25

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Michael Sheen, Kenneth Cranham and Juliet Stevenson star in the best-known and most powerful tragedy of modern times.



BBC radio has a unique heritage when it comes to Shakespeare. Since I 923, when the newly formed company broadcast its first full-length play, generations of actors and producers have honed and perfected the craft of making Shakespeare to be heard.



Those decades of experience come to fruition in this production.The intimacy of radio gives full rein to the power of Shakespeare's language, taking the listener into the very centre of Hamlet's emotional and moral turmoil.



The play is introduced by Richard Eyre, former Director of the Royal National Theatre, and the accompanying booklet includes a scene-by-scene synopsis, full character analysis, brief biographies of the leading actors and of Shakespeare himself, as well as an essay from the producer on their interpretation of the play.



Revitalised, original and comprehensive - this is Shakespeare for the new millennium.

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King Lear

Author : William Shakespeare

Performed By : Full Cast Production

Publisher : Select Music & Distribution

Runtime : 3 hours 55 minutes

Categories : Shakespeare

Our Price : $15.49

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King Lear, perhaps Shakespeare's most profoundly searching and disturbing tragedy, is the story of a foolish and self-indulgent king who learns, late in life and after terrible suffering, the value of self-knowledge. The play asks the ancient questions about God and the meaning of pain with uncompromising directness, but provides no reassuring answers...

King Lear, probably dating from 1605, was first printed in a quarto version in 1608 and in a different form in the First Folio of 1623. It is the third In Shakespeare's great sequence of four tragedies: Hamlet (1600-01) and Othello (1602-1604) precede it, and Macbeth (1606) follows. It possesses the widest emotional and thematic reach of them all, occupying a space which achieves an almost abstract, symbolic quality while at the same time offering a painful concreteness of experience: it is both intensely personal and impressively universal, tackling the great questions of suffering and morality ('is there any cause in nature that makes these hard hearts?') within the context of a social conscience CO! I have ta'en too little care of this') and an anguished questioning of God (or the gods, who, it seems, 'kill us for their sport').